Noah Hicks – Small Town Does Tour
About the artist: Raised on a working farm raising chickens and cows in Carrollton, GA, Noah Hicks brings an authenticity that’s as real as the dirt roads he grew up on. After making the move to Nashville, he quickly found his place among some of the city’s most respected writing circles. But it’s not just his ear for a good song that sets him apart; he prides himself on his energetic live shows and undeniable connection with fans. Sharing the stage with names like HARDY, Ernest, Justin Moore, and Parker McCollum, and making appearances at festivals like CMA Fest, Tortuga, and more, Noah’s energy is felt far beyond Music Row. Since signing with RED Creative Group in 2020, he’s amassed over 60 million streams and has recently signed a record deal with Nashville Harbor Records & Entertainment. Two of his standout tracks, “I Can Tell You’re Small Town” and “Dirt On It,” have proven Noah’s ability to authentically and naturally connect with fans. The former sparked an organic TikTok trend, with over 29K videos created and counting, while the latter has been embraced by NFL and MLB stadiums, organically finding its way into the ears of sports fans. Despite this early success, Noah keeps his head down, focused on what matters most. His connection to his Georgia roots and his genuine love for what he does drive him to serve his growing fanbase. With a sound that’s as authentic as his upbringing and a passion that shines through in every performance, Noah Hicks is more than just a musician; he’s a storyteller, an entertainer, and an artist who’s just getting started
CANCELLED: Emily Nenni
About the artist: Due to circumstances beyond our control, the Emily Nenni show scheduled for October 2 at the Golden Record has been cancelled and tickets will be refunded. Sorry for the inconvenience and it is our intention to host Emily again in the future. Emily Nenni has a confession: she didn’t always plan on being a performer.“I thought I was just going to be a songwriter,” she says. But fate had other plans. With a sound rooted in classic honky-tonk and laced with country, soul, and rock ’n’ roll fire, Nenni has become one of Nashville’s most exciting new voices. Her lyrics are sharp, sassy, and real—singing about heartbreak, hard living, and late nights with a wink and a punch. She’s spent the past few years lighting up smoky Nashville clubs, growing into a commanding bandleader and confident storyteller. Her newest album, Drive & Cry, is the culmination of that journey—a bold, deeply personal collection of songs that put her unique voice on full display. A shift from 2022’s On the Ranch, written while working on a Colorado ranch, Drive & Cry is pure Nashville. The record opens with the rollicking “Get to Know Ya,” a celebration of post-work freedom and wild, music-filled nights. From there, Nenni takes us to Santa’s Pub—the legendary dive bar that shaped her early years in town—with “Greatest Hits,” a twangy, Dolly Parton-inspired love letter to the scene that raised her. “Santa’s was the first place I saw people my age making this kind of music,” Nenni says. “It taught me that it doesn’t have to be perfect—just real and fun.” Produced by John James Tourville of The Deslondes, Drive & Cry is Nenni’s first album written entirely solo—except for a closing cover of Terry Allen’s “Amarillo Highway.” “I had a few quiet weeks alone and just wrote everything I’d been feeling,” she says. “This album is truly me.” Across twelve tracks, Nenni blends girl-group harmonies, outlaw country grit, and honky-tonk swing. From the anthemic “I Don’t Have to Like You” to the country-funk title track where she jokes, “Don’t you worry ’bout me / I’m gonna have a bawl,” it’s clear she’s found her groove. “I do cry a lot,” she laughs, “and I love to do it while I’m driving.” With Drive & Cry in tow, Nenni is hitting the road. “I love being on tour. I love my band, I love the crowds, and I love making people feel something. That’s what makes me happiest.” She smiles. “I never planned to be a performer—but I’m so glad I am.”
JP Harris w/ Ryan Koenig
About the artist In a musical landscape of period-correct reproduction, “outlaw” internet posturing, and flavor-of-the-month variants on country, JP Harris Is A Trash Fire burns as bright as a dumpster ablaze in a Walmart parking lot on a moonless night; some will fear it, some will gravitate to its acrid warmth, and most will have no idea what to make of the situation. Even within the rapidly growing world of “underground” country music, Harris still considers himself an outsider, content to inhabit a gray area where punk rock ethos, folk art aesthetic, and the workingman’s ballad mingle. Check out any of his prior releases, his brilliant 2017 EP of duets Why Don’t We Duet In The Road featuring Nikki Lane, Kelsey Waldon and Leigh Nash or flip the page to yet another exceptional project Dreadful Wind and Rain – a string duo collaboration with Chance McCoy (Old Crow Medicine Show) that is an astute sampling of authentic old-time hillbilly mountain music. Harris has been steadily elbowing the definitive boundaries of “country music” wider with every album, both sonically and lyrically, and his latest piece of self-described “Avant-Country” is no exception. Produced by longtime friend and collaborator JD McPherson, the highly anticipated next chapter JP Harris Is A Trash Fire comes out September 2024 on Bloodshot Records.
Cole Chaney
About the artist: Hailing from Catlettsburg, KY, Cole Chaney has emerged as a dynamic force in the world of country music. His journey began at the age of 20, fueled by his deep-rooted love for his Kentucky roots and the raw passion of rock and roll. Drawing inspiration from his Eastern Kentucky upbringing, Cole’s music serves as anthems for the working man, resonating with the struggles and triumphs of everyday life in the heartland. With gorgeous melodies and heartfelt lyrics, he is a masterful storyteller, weaving tales of his own experiences and the lives of those around him. Cole’s music transcends boundaries, captivating audiences across the country with his soulful voice and electrifying stage presence. From touring with acclaimed artists like Zach Bryan, Charles Wesley Godwin, and Flatland Cavalry to gracing iconic venues like The Opry and The Ryman in Nashville, Cole’s star continues to rise. With the release of his debut album “Mercy,” Cole has garnered widespread acclaim, inspiring breathless assessments and “Album of the Year” pronouncements. However, he remains humble, recognizing that his journey is still in its nascent stages. While comparisons to Kentucky legends like Sturgill Simpson and Tyler Childers have been flattering, Cole is determined to carve out a sound and approach that is uniquely his own. Through his music, Cole invites listeners to join him on a journey of self-discovery and connection. With each song, he offers an intimate glimpse into his deepest thoughts and emotions, reminding us all of the power of music to heal, inspire, and unite.
Silverada w/ Drew Cooper
About the artist Evolution. It’s what keeps the best bands afloat — song after song, show after show, record after record. Mike Harmeier formed Mike and the Moonpies in his early 20s, a workingman’s country band, honing their craft with five-hour sets on Austin’s dancehall circuit before expanding across America. By the early 2020s, they’d become global ambassadors of Texas music, from Abbey Road Studios to the Grand Ole Opry. The growth led to introspection. As their music changed, why not their name too? Silverada marks this evolution. “Back in the day, all we wanted to do was play the Broken Spoke,” says Harmeier, reminiscing about the Austin honky-tonk where Silverada found its roots. The album, their ninth, showcases their accumulated strengths — sharp songwriting, pedal steel melodies, and a versatile rhythm section — while breaking old rules. “Radio Wave” and “Eagle Rare” demonstrate their sonic exploration. Harmeier penned Silverada in his backyard studio, drawing inspiration from diverse sources. Recorded at Yellow Dog Studios, the album balances progression with roots, honoring their past while looking ahead. “We spent the first part of our career figuring out who we are,” says Harmeier. “Now we want to evolve not only the sound of the band but the dynamic of the live show too. Silverada sets the stage for the next leg of the journey.”
Gannon Fremin & CCREV w/ Hudson Reid
About the artist: Gannon Fremin & CCREV are a gritty, high-energy Southern rock outfit hailing from Oklahoma, blending red dirt roots with a raw, electric edge. Known for their explosive live shows and no-holds-barred sound, the band channels influences from outlaw country to 90s grunge, creating a style that’s both nostalgic and fiercely original. With powerful vocals, hard-hitting lyrics, and a loyal grassroots following, Gannon Fremin & CCREV are carving their own lane in the modern Americana rock scene.
Garrett T Capps w/ The Jits
About the artist: Space cowboy Garrett T. Capps and his band NASA Country have just released their latestalbum, “Everyone is Everyone.” While many grapple with a world gone mad, Garrett and hisband focus on what unites people: music. By blending space-rock with roots folk, underground with mainstream, and various culturalelements, they dissolve societal divides effortlessly through music. Garrett transcends genresand stereotypes, embodying the true spirit of a cowboy—free, visionary, and bound only by hisdesire for a better world. Their new album merges roots, country, folk, and modern influences like Krautrock, creating ajoyous, label-defying sound. NASA Country, a group of San Antonio musicians, brings togetherdiverse talents, making “Everyone is Everyone” a life-affirming musical journey. The album,released via Spaceflight Records, is a testament to Garrett’s expansive vision and San Antonio’srich cultural heritage.
Jenny Don’t And The Spurs
About the artist Jenny Don’t and the Spurs have been carving their own path in Country Western music for over a dozen years. Known for their high-energy performances and captivating stage presence, the band has built a global following with three albums, an EP, and nine singles. Their 2021 LP, Fire on the Ridge, expanded their reach, taking them on international tours and solidifying their presence in the country music scene. Their latest release, Broken Hearted Blue, set to debut on June 14th, 2024, continues their momentum with 10 tracks that blend the essence of the Northwest’s music scene with the nostalgic feel of the Western frontier. The album opens with “Flyin’ High,” a high-octane track that merges the band’s garage-rock roots with their distinct Western style, setting the tone for a standout record. Jenny Don’t, known for her rebellious spirit, channels the authentic outlaw vibe in songs like “Pain in My Heart” and “One More Night,” reminiscent of country legends like Johnny Paycheck and George Jones. Born in New Mexico and raised in Washington, Jenny’s songwriting is shaped by the contrasting landscapes of the Pacific Northwest and the Southwestern desert. The title track, “Broken Hearted Blue,” showcases her haunting vocals and Christopher March’s guitar work, echoing the desert night sky. The album also marks a new chapter for the band with the debut of drummer Buddy Weeks, following the loss of longtime drummer Sam Henry in 2022. Instead of slowing down, the band pushed forward, honoring Sam’s legacy and bringing fresh energy with Weeks’ inclusion. The song “Bones in the Sand” captures this experience, blending dark and luminous textures to reflect their journey. Produced by Collin Hegna, Broken Hearted Blue is a testament to the band’s dedication to authenticity and creativity. With tracks like “Sidewinder” and “Unlucky Love,” the album showcases a variety of styles while maintaining its Western charm, much like the rhinestones on their custom outfits, handcrafted by Jenny herself. This album shines as a true reflection of the band’s evolution and commitment to their craft.
Todd Day Wait w/ Hunter Peebles & Lorna Kay
About the artist: Todd Day Wait is one of the last real American Workhorse, pedal to the metal, Troubadours by way of Missouri, to California, to New Orleans and now Nashville. The original material of Todd Day Wait, is highly influenced by early American folk, country and blues music from the 1920’s through the 1960’s, embodying the spirit and authenticity of traditional American music. Todd Day Wait, whomst you may have heard of from his millions of spins on GemsOnVHS or WesternAF writes and performs his own style of timeless country music. Harking back to Jimmie Rodgers, Willie Nelson, Wynn Stewart and Kris Kristofferson he keeps the spirit of country music alive. In 2009 he put all his earthly belongings on the curb and hit the road, in his diesel shuttle bus fueled by vegetable oil, for a never ending tour. From busking the streets of New Orleans, to playing in the shadow of European castles, to lighting up the honky-tonk dance floors in Nashville, Todd keeps it 60/50.
American Aquarium
About the artist: For nearly two decades, American Aquarium have pushed toward that rare form of rock-and-roll that’s revelatory in every sense. “For us the sweet spot is when you’ve got a rock band that makes you scream along to every word, and it’s not until you’re coming down at three a.m. that you realize those words are saying something real about your life,” says frontman BJ Barham. “That’s what made us fall in love with music in the first place, and that’s the goal in everything we do.” On their new album The Fear of Standing Still, the North Carolina-bred band embody that dynamic with more intensity than ever before, endlessly matching their gritty breed of country-rock with Barham’s bravest and most incisive songwriting to date. As he reflects on matters both personal and sociocultural—e.g., the complexity of Southern identity, the intersection of generational trauma and the dismantling of reproductive rights—American Aquarium instill every moment of The Fear of Standing Still with equal parts unbridled spirit and illuminating empathy.
