Cody Canada (Solo Acoustic)

“In the finite world of the beautiful human beings and first rate musicians, none is finer than Cody Canada.” -Robert Earl Keen Fourteen songs that blur the lines between hard-edged country, rock & roll, and all the gritty sounds in between. Cody Canada and the Departed’s new album 3, out June 29th, finds the band in a new head space, more confident than ever of who they are. The band’s first record as a lean power trio, 3 shines a light on the core ingredients of The Departed’s sound. There’s plenty of amplified crunch, Red Dirt twang, roadhouse-worthy guitar riffs, story-based songwriting, and the familiar rasp of Canada’s voice — an instrument that’s been sharpened by years of raw, redemptive shows. Working with producer Mike McClure, the band tracked their new material during breaks in an otherwise busy touring schedule, approaching the recording sessions the same way they’d approach a live show. “The idea was to get into the studio and simplify things, remaining as true to a three-piece as possible,” says Canada, who pulls triple-duty as the lineup’s frontman, songwriter, and lead guitarist. “If you really want to leave your mark, it’s all about the songs, not how many people you can cram into the studio.” It’s been a quarter century since Canada kicked off his career. A road warrior and prolific songwriter, Canada was the frontman of Cross Canadian Ragweed, a wildly influential band that dominated the Red Dirt scene for more than a decade, and made music that reached far beyond the genre’s borders, selling millions of albums and playing for huge audiences across the U.S. Canada formed the Departed in 2011. With 3, he nods to his former band’s glory days, brewing up a sound that’s inspired by outlaw country icons of the 1970s and rock bands of the 1990s. “This record sounds like Cross Canadian Ragweed between 2002 and 2006, and it goes back to the way I originally started writing songs,” he says. “It’s observational writing. I was inspired by the bad news on the television. The good news, too. I was inspired by falling in love all over again with my wife, by watching my kids go through life, by politics, and by the modern world.” He also found inspiration in his bandmates: bass player Jeremy Plato (who’s played alongside Canada for decades, beginning with Cross Canadian Ragweed’s first album) and drummer Eric Hansen (a longtime friend currently celebrating his third year with the band). Also joining the Departed in the studio was McClure, an acclaimed songwriter and producer who helped oversee multiple albums for Cross Canadian Ragweed. 3 marks McClure’s first collaboration with Canada since the Departed’s formation. Songs like “Lipstick” — a heartland rocker, shot through with harmonica and thick harmonies — was partially written in the recording studio, with all musicians contributing to Canada’s original idea. Others were written on the road, their compositions cobbled together from iPhone recordings and soundcheck jams. Also tracks like “Sam Hain” deliver a pissed-off, political punch, 3 represent the Departed’s happiest album to date — a result of Cody Canada’s own attitude toward his life and his band. “I’m a fan of love,” he says unapologetically. “I love my wife, who I’ve been with for 20 years. I love my kids. I love my friends. These songs come out of the good times and the bad times, but the recurring theme of this thing is me finding my happy area. I’ve finally found comfort in who I am. My band’s where it needs to be. I don’t need to fight it.”