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        <title>The Golden Record</title>
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	<title>The Golden Record</title>
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                        <item>
                                <title>Naughty or Nice: Foolsworld vs Get Punk’d, Halcyon vs Creysi, Placaded vs CuddlePile, Buck Fever vs Meatus</title>
                                <eventupdate>6 days ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/naughty-or-nice-foolsworld-vs-get-punkd-halcyon-vs-creysi-placaded-vs-cuddlepile-buck-fever-vs-meatus/the-golden-record/</link>
                                <pubDate>Sun, 08 Nov 2026 21:49:00 +0000</pubDate>
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                                <title>Gyasi + DeeOhGee</title>
                                <eventupdate>15 days ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/gyasi-deeohgee/the-golden-record/</link>
                                <pubDate>Fri, 30 Oct 2026 14:00:00 +0000</pubDate>
                                <description><![CDATA[Gyasi is a Nashville-based artist who reimagines the conventions of classicrock &#8217;n&#8217; roll through a flamboyant, contemporary aesthetic. Known for his sharpriffs, catchy melodies, and theatrical stage performances, he has developed anapproach to rock that is simultaneously retro and decidedly modern. Originallyfrom West Virginia and raised in a rural holler, Gyasi has steadily made his markon the American rock scene, distinguished by a strong visual identity and amagnetic stage presence. His album &#8220;Pronounced Jah-See&#8221;&#8212;recorded and self-produced on analog tape&#8212;showcases his guitar work, songwriting, andproduction in a direct, organic format and follow up, &#8220;Here Comes the Good Part&#8221;pushed his work further.Influenced by the legacy of glam rock and icons such as David Bowie and MarcBolan, Gyasi offers a personal take on the genre, one that has garnered supportfrom prominent figures within the rock world, including recording guitar with theoriginal Alice Cooper Group. His work honors the rock tradition while activelyseeking to push its boundaries. &#160; DeeOhGee isn&#8217;t just a band&#8212;it&#8217;s a high octane boots-on-the-ground celebration of everything loud, soulful, and brazenly real. A rowdy blend of rock &#8217;n&#8217; roll, bluesy swagger, and cosmic country charm, they bring a visceral energy that feels like slipping into your favorite worn-in boots after a wild night out. Think Waylon Jennings meets The Rolling Stones, jamming in a sweaty van barreling down the backroads of Americana. At their core, DeeOhGee is all about grit, fun, and unfiltered connection. Their live shows are sweaty, no-frills, and bursting with raw energy&#8212;no backing tracks, no pretense, just three musical brothers improvising and weaving stories on the fly, with a little help from their four-legged mascot, Darlin the dog.&#160;DeeOhGee takes the golden threads of roots music and spins them into something fresh, fierce, and unapologetically their own. Their vibe is sharp-dressed swagger meets playful sincerity, blending tongue-in-cheek humor with a sound that moves seamlessly from 60s swinging London to psychedelic Appalachian grooves. Dylan Whitlow (vocals, bass, guitar), Zack Murphy (drums, percussion, vocals), and Matthew Paige (guitar, vocals, harmonica) form a powerhouse trio, each bringing their own unique energy to the mix. Together, they weave blues, rock, and country into a genre-defying sonic experience that pushes boundaries while staying true to their roots.]]></description>
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                                <title>Rat Tally (CH), Bleach Balta + Front Flip</title>
                                <eventupdate>16 days ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/rat-tally-ch-bleach-balta-front-flip/the-golden-record/</link>
                                <pubDate>Thu, 29 Oct 2026 20:39:46 +0000</pubDate>
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                                <title>Backwash Saves Christmas w/ Matt F Basler + Midwifecrisis</title>
                                <eventupdate>19 days ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/backwash-saves-christmas-w-matt-f-basler-midwifecrisis/the-golden-record/</link>
                                <pubDate>Mon, 26 Oct 2026 14:15:47 +0000</pubDate>
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                                <title>The Mighty Pines 90&#8217;s NYE</title>
                                <eventupdate>24 days ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/the-mighty-pines-90s-nye/the-golden-record/</link>
                                <pubDate>Wed, 21 Oct 2026 12:56:21 +0000</pubDate>
                                <description><![CDATA[The Mighty Pines: A 90s New Year&#8217;s Eve Bash at the Golden Record Ring in the New Year the only way the 90s kids know how: on the dance floor. The Mighty Pines are back at the Golden Record for their beloved 90s cover New Year&#8217;s Eve show, and we couldn&#8217;t be happier to welcome them home. The Mighty Pines have built a reputation on their ability to capture everything that made 90s music unforgettable. From the grunge-era growl to pop-punk anthems, from slick R&#38;B grooves to boy band harmonies and one-hit wonders you forgot you knew every word to, this band nails the sound, the energy, and the spirit of the decade. Tight musicianship meets pure showmanship, and the result is a set that feels like your favorite mixtape come to life. This year, the Pines are bringing a slew of guest performers along for the ride, adding even more voices, surprises, and star power to the night. You never know who might step up to the mic next, and that&#8217;s half the fun. So grab your friends, dust off your best throwback moves, and get ready to sing every chorus at the top of your lungs. It&#8217;s going to be a night of fun, nostalgic dancing, and the perfect way to count down to midnight. The Mighty Pines. New Year&#8217;s Eve at the Golden Record. Don&#8217;t miss it.]]></description>
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                                <title>MU330 / Mustard Plug &#8211; Ska-liday Show + The Doomstompers</title>
                                <eventupdate>1 month ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/mu330-mustard-plug-ska-liday-show-the-doomstompers/the-golden-record/</link>
                                <pubDate>Tue, 06 Oct 2026 15:00:00 +0000</pubDate>
                                <description><![CDATA[Named after the section number of the high school jazz class where many of the group's members first met, the self-described "psycho-ska" band MU330 was formed in St. Louis, MO, in 1988. Originally comprising vocalist/guitarist Dan Potthast, vocalist/trumpeter John Skavanaugh, bassist Chris Diebold, saxophonist Matt Knobbe, keyboardist Matt Struckel, and drummer Ted Moll, MU330's lineup changed regularly, and by the release of the 1994 debut Press (issued via Asian Man Records), Struckel had already exited. Skavanaugh and Knobbe soon left the group as well, with vocalist Jason Nelson, trumpeter Nick Baur, and saxophonist Traygen Bilsland all joining long enough to record 1996's Chumps on Parade before all three again went their own way. The core trio of Potthast, Diebold, and Moll were joined by trombonists Rob Bell and Gerry Lundquist in time to record the third MU330 record, 1997's Crab Rangoon. Winter Wonderland followed two years later. Live Oh Yeah! appeared in spring 2001; Ultra Panic was released a year later]]></description>
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                                <title>The Conformists 30th Anniversary Feat. Imelda Marcos and Radiator Greys</title>
                                <eventupdate>1 month ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/the-conformists-30th-anniversary-feat-imelda-marcos-and-radiator-greys/the-golden-record/</link>
                                <pubDate>Tue, 22 Sep 2026 20:54:00 +0000</pubDate>
                                <description><![CDATA[The Conformists are an experimental rock band based in St. Louis, MO, formed in 1996. This show will serve as their 30-year anniversary, which is, frankly, ridiculous. &#160; "Listening to The Conformists is like stepping into another dimension where every second, every note is a surprise that sweeps away the one before it. It&#8217;s a chaos that organizes itself, breaks apart, and rebuilds itself only to be shaken up all over again. The musical ideas are relentless, remarkable, and ever-shifting &#8212; enough to make metronome needles spin out of control. Anything is possible, anything is achievable, and everything is a musical feat &#8212; from breaking the sound barrier to the slightest breath. The St. Louis-based band indeed crafts with disconcerting mastery a unique, virtuosic, and boundless universe that plays with the conventions of music. &#160; Barely recovered from Three Hundred &#8212; their bewildering and exhilarating previous album &#8212; None Hundred once again shakes us up and knocks us to the ground. With a relentless succession of minimalist and sublime passages, haunting and hypnotic repetitions, shifts in rhythmic direction, bass and guitar constantly teetering on the edge of dissonance, and a deep, intelligent voice whenever it appears, this new album is a blend of ceaseless, disorienting, and unexpected surprises, where each track is a feat of composition and production &#8212; an unparalleled and inventive work within the noise genre. &#160; Although None Hundred stands as the logical follow-up to its predecessor, it becomes clear from the very first notes of the opening track, &#8220;Jesus Was a Shitty Carpenter,&#8221; that The Conformists won&#8217;t need more than the six tracks on this true gem to once again unsettle and bewilder us. Throughout the album, we&#8217;re swept through a whole range of emotions that come and go in record time: we&#8217;re overjoyed, we can&#8217;t sit still, we find ourselves smiling, left speechless &#8212; whether listening to &#8220;Swim Home&#8221; and its skipping-record-like ending, the intense 7 minutes and 34 seconds of &#8220;Times Beach,&#8221; the rhythmic drive and dissonance of &#8220;Quality&#8221; and &#8220;Fire at the Horsephanage,&#8221; or the remarkable closing track &#8220;Pro Gear, Pro Attitude&#8221;, where the bass and guitar interplay hypnotizes us before the drums finish the job alone. So, for thirty minutes, we&#8217;ll have listened to the music in a different way, with the utmost attention. A record by The Conformists isn&#8217;t just listened to. It&#8217;s experienced." -Thierry Mabon, Mowno Magazine (France) &#160; Imelda Marcos is an avant noise rock band from Chicago whose sonic palette is pointillistic, percussive and rhythmic. NPR Music Viking's Choice described the band as, '... hypnotic, buzzy, technical, but oh-so-fun noise-rock. &#160; Radiator Greys is the long-running psychedelic noise music project of St. Louis-based artist Josh Levi. Since 2011, Levi has created a haunting assemblage of harsh noise, power ambient, and layered tape loops that borders on any number of expanding, experimental soundscapes.]]></description>
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                                <title>Thicc Like Me: A Plus Sized Variety Show</title>
                                <eventupdate>2 months ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/thicc-like-me-a-plus-sized-variety-show/the-golden-record/</link>
                                <pubDate>Thu, 03 Sep 2026 13:00:00 +0000</pubDate>
                                <description><![CDATA[Thicc Like Me: A Plus Size Variety Show has become a St. Louis tradition. Trolls Garden Productions is happy to continue the celebration of plus size, curvy, and bigger body performers in this fourth edition of the show. How do we celebrate body positivity? The only way we know how: pole, burlesque, and drag.]]></description>
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                                <title>Don Trip w/ Tha Landlord</title>
                                <eventupdate>3 months ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/don-trip-w-tha-landlord/the-golden-record/</link>
                                <pubDate>Wed, 12 Aug 2026 14:00:00 +0000</pubDate>
                                <description><![CDATA[Memphis native Don Trip holds fast to his roots as a street rapper, even though he has stood next to Macklemore, Danny Brown, and Future for XXL Magazine's 2012 Freshman Class and has made songs with rap legends like Juicy J and Young Dolph. A nonstop work ethic has kept Don Trip grinding out a steady stream of mixtapes, EPs, and other projects that often come out within months of each other. Trip has kept his hustle up with a steady flow of independently released mixtapes in the late 2000s right on through to more fully realized studio efforts like 2023's The Devil You Know, multiple collaborations with Starlito, and parts one and two of Forgiveness Is God's Job (2025).Born Christopher Wallace in Memphis, Tennessee, Don Trip grew up in a rougher part of the city and his family struggled financially. Trip was working by the age of twelve, and at 15 he was inspired by Jay-Z, 2pac, and strangely enough the success of child pop rap phenomenon Kriss Kross to start rapping himself. In hopes that it would help his family, Trip began releasing his songs and performing live. Although he has been active since the mid-2000s, Trip's output became prolific just after the turn of the following decade. In 2011 alone, he released volumes in two series of solo mixtapes (one based on the Human Torch and one based on the Terminator), collaborated with Nashville native Starlito on Step Brothers, and hit Billboard's Hot R&#38;B/Hip-Hop chart with "Letter to My Son," released on Cool &#38; Dre's Interscope-affiliated First Family imprint. Step Brothers Two landed in 2013, then Trip resumed solo work with Godspeed, The Head That Wears the Crown, and 2 Clip Trip, independent titles released across 2015 and 2016. He and Starlito reconvened for Step Brothers Three in 2017. The following year saw Trip drop the full-length Christopher, which included features from Jus Bentley, Starlito, 8Ball, Singa B, and Bink4sho.Trip's stream of output continued apace, and along with guest spots on tracks for many other artists, the next several years saw the rapper release titles such as the 2021 album Pray God's Not Watching, the 2022 mixtape Christopher: Season 2, and several EPs. The Devil You Know, the most notable project of a dozen he released in 2023, included guest work from now-frequent collaborator Starlito, Kendrick P., Casino Jizzle, and others. Another dozen mixtapes and EP-length releases arrived throughout 2024, and in 2025, he connected with Starlito for Step Brothers 4 Life (plus subsequent editions Step Brothers Four &#38; a Half and Step Brothers 4 Life &#38; After) while also delivering his own Forgiveness Is God's Job...Part 1 and Forgiveness Is God's Job...Part 2. Deluxe versions of the latter two projects followed in 2026. ~ David Jeffries]]></description>
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                                <title>Gully Boys w/ Pollyanna + she/wrex</title>
                                <eventupdate>3 months ago</eventupdate>
                                <link>https://thegoldenrecord.live/event/gully-boys-w-pollyanna-she-wrex/the-golden-record/</link>
                                <pubDate>Wed, 29 Jul 2026 19:22:00 +0000</pubDate>
                                <description><![CDATA[The Gully Boys origin story begins in the aisles of a Minneapolis thrift shop. Vocalist/guitaristKathy Callahan (she/her) and co-worker Nadirah McGill (they/them) spent their days sharingdreams and building a friendship amongst racks of forgotten treasures. When Kathy confidedher desire to sing in a band, it set off a groundswell of events: Nadi grabbed a pair ofdrumsticks, and the two invited middle school friend Natalie Klemond (she/her) to join on bass.From there, a cover of Best Coast&#8217;s &#8220;Girlfriend&#8221; marked the start of a journey fueled byundeniable chemistry, channeling the raw energy of legends like No Doubt, Garbage, and Holeinto a sound that&#8217;s galvanizingly Gully.]]></description>
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